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Many of us wanting to have a bigger screen shot of our blog,page and website. One good way to get screen shot is PRINT SCREEN, right? but it was taking a lot of edit and consuming a lot of time just to have a screen shot. Well there are online tools that we can use to have a good screen shot of our page. Whats the use of this??? - LOL , this will be good for web developer who want to show some screen shot of there work. .



Here are the two site that i'm commonly using to have a good screen shot:


Superscreenshot Here are some fact why we should use Super Screenshot. thumbalizr

Online and API interfaces have been improved with some new features and better data handling. To make use of the new features, you'll have to sign up at least for the free standard API. After Sign up, the online version is enhanced by capture delay, image quality and encoding (jpg, png)

Labels: Tools

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Labels: Freebies

The autassist you to produce a complete and ready to print three-fold brochure from the scratch using only photoshop. This tutorial is best used for beginners also for people who would like to know extra knowledge about print design. Let's get it started!

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Introduction

This is a practical guide on howto design a uncomplicated building brochure design from the scratch with using only photoshop. Author done the design without using indesign templates, nor illustrator, since there are a large number of folks out there who don't have that software, or don't recognise how to manipulate or use it. whether or not you're a learner looking to copy a brochure into your inkjet printer, this could just be the very appropriate tutorial for you.
Part one - setting up the work document.

Step 1 - Chose the Folding Type

There are various things we must look at before starting to design a brochure: the size, shape, also folding kind beside the conception itself. in general, we must start out with pen and paper - in a literal sense. It's a great thought to grab a piece of paper and start out on the lookout for the most skillful way to fold it, anyhow at the end you'll comprise no more than two printable sides, that means, two photoshop documents, one for the front side, along with one more for the back side.



Step 2 - Drafting

It isn't really hard to imagine to make up a design When the folding type is chosen. Once you've folded your piece of paper, extract something more than it also look into how it looks. This is the most originative step, so feel free to do whatsoever you want.

In the next example, The author employed my tablet to draw something for you (did the same on paper really). This forms the primary guidelines of the design and many of the graphic ideas. Drafting will support you to see where you'll put the content of your brochure and whether or not the layout will support the reader find the selective information rapidly, beside it's a good way to keep your selective information ordered. E. G. In my draft you may see how I placed the "contact us" text in field number 2 (see the former graphic), so when the brochure stays folded, the reader will still be competent to read the title of the brochure and the contact selective information as a quick allusion.



Side I
Step 3 - Setting Up the Work Document

Let the design start! This time i'll work with a usual 11 by 8,5 inches document. Open photoshop and hit command + n to give rise to a new document. For print design, the document settings are extremely needed, therefore take care with the next values. Set the solution value to 300 pixels for every inch, color mode to cmyk color. It's a great thought, beforehand starting to design everything to calibrate your monitor color along with the printer color, but that's another subject, so you may leave the color profile as is.

Once you produced the document, (you may name it "brochure - front"), display the rulers by going to view > rulers or hitting command + r. similarly align the ruler units as inches, do it by alt-clicking on top of the ruler and selecting inches in the choices menu. You should enable the show guides choices by going to view > show > guides or hitting the default shortcut command + semi-colon key.



Step 4 - Main Area Bounds

We must define the bounds of our valid print area or "Main area" it means 8,5 x 11 inches. For this just draw four Guides on each one of the document sides. Those Guides aren't printable lines, they're just references for you to keep your design ordered.

You can show them and hide them anytime by going to View > Show > Guides. To draw a guide, just click on the ruler, either Horizontal or Vertical, and drag the Guide, then place it where you want.



Step 5 - Increase the Document Size

After you have the four guides located, go to image > canvas size and add an inch to both width also height values, that means, 12 by 9,5 inches. beside, ensure whether or not the anchor position is right in the center. Hit ok and you'll see the white background is 0,5 inches larger on each side.



Step 6 - Bleed
Now we'll add a 0,25 inches bleed. Draw 4 guides over 1/4 inch before the former guides. This is very crucial since any background effigy or color ought to be draw inside the bleeding bounds.



Step 7 - Security Border

Even whether or not our cutting routine is perfective, there're still a small area we have to leave without any crucial text or effigy inside the printable space. We'll add a security margin, a border without any factor, or a space amongst the margin and the design, you may call it padding whether or not you're more intimate with web design.

Drag four guides 1/4 inch after the "main area" guides on every side of the document, this is just a suggestion. You may make it more spectacular or littler, it's up to you. By the end you have to have something like the last of the images beneath.



Step 8 - Create Column Guides

Now we require to construct the column guides, since this brochure has three equals columns creating three content areas. There are assorted ways to add those guides, one of them is to grab the calculator and divide the width of the paper by three (11 / 3 = 3,6666), kinda hard right? One of my best-loved tricks to construct assorted columns with the same width in both web and print design is to employ numerous temporal shapes.

Start drawing a rectangle (u), use the guides, get started on top-left on the corner of the "main area" guides intersection, and drag the rectangle until you reach the bottom "main area" guide.

The width of this temporal shape isn't necessary, just undertake to make it a small narrow. Then, alter the tool to the move tool (v) and select the original rectangle, make sure the show transform controls option in the choices panel is checked and then duplicate the rectangle; you may do it by alt-clicking while you drag the chosen vector shape.

Place the copy just next to the former rectangle with original rectangle's right side touching the second rectangle's left side. It's actually easy in truth. I'm altering the color of the copy for graphic intentions (see the effigy under).

Duplicate a third rectangle then position it after the second one, as shown. After you come up with the three rectangles ready, make assure that there's no distant amongst and there's no overlapping. Select the three rectangles, After that in the layers palette (hold the shift key and click on each layer miniature) go to the middle right transform control and exaggerate the three rectangles until reach the proper "main area" guide.

This transform procedure will exaggerate every rectangle in the same proportionality. Next, just select the middle rectangle using the move tool and employ the transform bounds as a limit for two new guides for the columns. at last, delete the rectangles.



Step 9 - Folding Security Margin

As a final step on the guides process, add the 1/4 inch Security margin guide next to the Column Guides. This is very important since the folding always uses 2-3 millimeters of the print area, and it's crucial you do not have any graphic object on that area.

At this point you must have a perfect bunch of guides to work within. It's a great time to save your work, also you can save it as a template for further projects.



Step 10 - Background

Let's add a background color. naturally you ought to use cmyk values to find the perfective color. Double-click over the foreground color in the tools bar then choose your background color.

I'm using a subtle combining of yellow 15% also plain black 10%. At this instant draw a rectangle from the top-left corner area to the bottom-right corner area of the bleed guides, by default the fill of that vector rectangle is the foreground color. It is very essential to add the background including the bleeding margin.



Step 11 - Trim Guides

At this instant will add many habit trim guides to let us acknowledge where to cut and where to fold. For this, choose the foreground color as a 100% black color. Choose the line tool (click then hold over the rectangle tool until you've got more many choices, there select the line tool).

Draw many lines just over the "main area" guides. Until you reach the bleed border (consider the images under), draw a straight line, just hold the shift key while you're drawing the line. Draw those trim lines above the four corners also over the column guides. You might show and hide the guides as oftentimes as you need by clicking command + semi-colon key.



Step 12

Put all the trim lines into a Group named "Trim Guides."



Part Two - Design
Step 13 - Add a texture background

Since we're designing in Photoshop, why not textures? The cool feature of easily adding textures and blending layers is one of the strengths of Photoshop. We'll use this image as a background texture, in order to give this design a dirt and old style.

Paste the image into the document in a new layer named "BG Texture" and using the Move Tool (V) and the Free Transform Options, place it exactly inside the Bleed Guides, just like the Rectangle of the previous steps. Once you've placed it, use the Clone Tool to fix the imperfections, like the blue ink lines of the stock picture. Finally change the texture Blending Mode to Multiply and its Opacity to 40%.



IMPORTANT: altering the layer's blending mode differs on cmyk color than rgb color. Rgb color uses the light to mix the layers, cmyk mode uses the ink allocation to mix them. The general blending modes like multiply, are grounded on light mixing using mathematical formulas over the rgb color code. the outcome will become strongly dissimilar depending the color mode.

Underneath there’s an example of a simple multiply blending mode on together rgb and cmyk color modes. Still whether or not there are nearly no alteration on cyan, magenta and yellow, the red, blue as well as green colors shows a big divergence with the rgb ones. Anyhow, there are no rich black color resultant from the blending mode on cmyk as it does on rgb.

An easy way to fix this issue is work your complex blending mode editing on a rgb document, and once you've finalize it, convert the color mode to cmyk by going to effigy > mode > cmyk color and flatten all the layers, but that isn't perfective at all, you will more than likely still have loss of saturation and luminance when you alter the mode.



Step 14 - Add a Long Stripe

Now we'll get started the design itself. grounded on my sketch, i'll get started drawing a long rectangle all all over the page. Use any foreground color because we'll add various layer effects to make it look nice.

* get started adding a gradient overlay using the colors described beneath (dark red to red). You may either use the color picker, utilize a pantone color or type the values directly into the cmyk fields. I suggest you the last option.
* add a lighter red 10px stroke.
* and at last a large drop shadow. Drop shadow uses a plain black color by default in cmyk mode, that means c=0%, m=0%, y=0%, and k=100%.

Hit OK and see how it looks.



Step 15 - Texturing the Stripe

Hit Command + A to Select All, on the Layers Palette select the "BG Texture" layer and copy ( Command + C ) the selection. Paste it into a new layer above the previous step "Stripe" layer and transform the texture a little bit by stretching its height. Name the layer "Stripe Texture."

Command-click over the "Stripe" Vector Mask miniature and go to Select > Inverse to inverse the selection. Then delete the extra texture leaving just a piece over the stripe. Next, change the "Stripe Texture" Blending mode to Linear Burn. As you can see, we've got a nice texture over the stripe, now Group both "Stripe" and "Stripe Texture" layers into a Folder named just "Stripe."



Step 16 - Rotate the Stripe

I decided to not use the standard vertical 90º align, instead I'll create two little variation angles of 15º and 5º and rotate the brochure objects according to those angles.

First, grab the Move Tool (V) and select the "Stripe" folder. Now using the Free Transform controls rotate the design to -15º. You can hold the Shift key to increase/decrease the rotation angle on intervals of 15 degrees.

Once you set up, hit return to commit the transform and place the stripe wherever you want. I'll use a reference intersection point between the bottom border of the stripe and the "Main Area" right guide. Also I created a guide just in the vertical middle.

Finally, we'll add a custom detail. Since I've rotated the angle of the stripe (if you take a look at the angle of the Gradient Overlay, on the "Stripe" layer styles) it stills on 90º; that's why the left side looks darker than the right side of the stripe. You can increase or decrease that angle to make the gradient looks good. I'm setting the Gradient Overlay angle to 100º.



Step 17 - Add a Second Stripe

Select the "Stripe Folder" using the Move Tool. With the Alt Key pressed, drag the Folder to duplicate it. Then rotate the new folder to make it horizontal again.

We'll need to make this Stripe Gradient darker, so, change the colors of the Gradient Overlay Effect as shown below. Also, stretch the height of the new folder a little bit.



Step 18 - Rotate the Second Stripe

Rotate the "Stripe copy" just a little bit, to -5º. You can type the angle value into the angle box in the Transform Tool properties panel. Once you've rotated the stripe, place it just a few millimeters below the first one (see the image below). Commit all the transforming and move forward.



Align Center (Optional)
As I want to add a wrap effect with those stripes on the back side, it's very principal to put them aligned at horizontal center. It's in truth simple in truth, just hit command + a to choose all, select the move tool (v) and then click on the "stripe" folder in the layers palette.

You'll see the alignment choices in the tool choices panel. Click on align horizontal center. Hit command + D to deselect the former selection. Repeat this procedure with the "stripe copy" folder.



Step 19 - The Ribbon

Now we'll add a yellow ribbon in order to have an impressive graphic detail on the front side of the brochure. fabricate a new group amongst the "stripe" and "stripe copy" folders and name it "ribbon. " inside it, fabricate a new yellow vector rectangle not much wider, just as shown under. The color isn't principal right now.

To fabricate the ribbon, draw a temporary vertical guide in the middle of the rectangle. Select the vector mask in the layer palette and from the tools bar chose the add anchor point tool. Click and hold the pent tool button, using that tool click once at the bottom-center to fabricate a small anchor point on the rectangle.

Now switch the tool to the convert point tool (click and hold the pen tool button) and click once over the former anchor point to delete the curve handles. Next, from the tool bar, select the direct selection tool (click and hold over the road selection tool) and select the modern anchor point. Now use the cursor to move the point a heap of millimeters up. Now you've got a ribbon. Take care that the ribbon is inside the brochure's face 1 bounds, including the folding security margin.



Step 20 - Ribbon Layer Styles

Next, add a Gradient Overlay (dark yellow to yellow) style to the "Ribbon" layer using the values shown below. Also, add a 5 pixels Stroke using the color shown below.



Step 21 - Ribbon Shadow

Will add a shadow to the ribbon; you may lift it with a simple drop shadow whether or not you want to, but this time i'll add an modern shadow because i'll distort the ribbon to make it pop.

Duplicate the ribbon layer and rasterize the layer, you may do it rapidly by creating a new blank layer above or underneath the copy, select both and hit command + e to merge them and name the resultant layer "ribbon shadow. "

Move the shadow layer a heap of millimeters to the proper. Then employ a plain black color overlay layer style to the shadow. Following, go to filter > blur > gaussian blur and set the radius to 10 pixels and hit ok. You'll see the blurred layer doesn't look good, so, adjust the "ribbon shadow" blending mode to overlay and opacity to 75%.



Step 22 - Finishing the Ribbon

To add the final details to our ribbon, we'll need to distort it a little bit. Use the Move Tool to select the Ribbon and activate the Free Transform controls from the Options Menu. Look for Warp button and click it.

Use the cursor to Warp the ribbon just a little bit, as shown below. Hit Return to commit the warping. Finally, use the same technique as Step 15 to texture the Ribbon, the only difference is change the "Ribbon texture" Blending Mode to Multiply and Opacity to 50%.



Step 23 - The Title

Now is a good moment to add the brochure title. Based on my sketch, I'll type the word "PSD" over the big strip, and "TUTS+" over the little one. Select the Type Tool (T), click anywhere over the big strip and type the words. Now go to Window > Character to see the little Character panel to customize the text properties. You can take a look at my Comprehensive Introduction to the Type Tool for more information on using this tool.

For the firstborn word i'm using helvetica-black with a weight of black, you may use arial black, as it looks good also. Once you've devised the text layer, switch to the move tool (v) to rotate the text layer -15º to make it match the stripe rotation angle.

Finally, to formulate a letterpress effect, add a dark red color overlay style to the text layer, a soft red outer glow, and a 65% opacity plain black inner shadow (see the values on the image under).



Step 24 -The Title

Let's finish the title. Repeat the previous step, but with a smaller font and place it over the small stripe, apply the same layers style as well. Then rotate the text layer only -5 degrees. As a little adjustment, change the Color Overlay to another one to make it a little bit darker. Finally, Group both text layers into a folder named "Title." Remember, your text layers must be inside the Security Margin bounding guides.



Step 25 - A Little 3D Shadow

Since drop shadow style, isn't the most dependable way to incur a naturalistic shadow, i'll add another shadow, just under the "stripe" folder to manufacture a nice effect.

Create a new layer named "shadow" under the "stripe" folder. On that layer, manufacture and stretch an ellipse (you may either use the elliptical marquee tool or ellipse tool). Fill the shape with plain black (100% k) and go to filter > blur > gaussian blur, then set the radius to 20 pixels and hit ok. Next, rotate that the shadow layer -15º. ultimately, alter its blending mode to multiply and opacity to 50%.



Step 26 - Content Text

Adding the content text is rather simple, but you should employ all your typographic noesis to make it look good. In the next example, i'm creating a paragraph text layer with many dummy text for the "face 2" text.

Arial black are going to be my choice this time. I'm likewise adding a two point text layer to produce eye catching titles. Another principal thing is the rotation. Once you've produced your text layers, you should rotate them -15 degrees whether or not the text layers are upside the large stripe, or -5 degrees whether or not the text layers are at the bottom of the little stripe. The rotation effect will give our design an extra particular touch. Once more, remember to design inside the security margin.


Step 27 - Group Content

I'm adding more text layers with some dummy content. Of course, you must add your very own. Notice the "Contact Us" text has a -5º rotation because its below the small stripe. You can Group the layers into folders according the face where it belongs, "Face 1," "Face 2," or "Face 3."



End of Side I

At this point we've got the primary side of our design ready. Remember save your work with a descriptive title, like "brochure - front. " then save the document as "brochure - back" and proceed.



Side II
Step 28 - Set Up the Inner Side Layout

We're working on the back side of the print paper. evidently, the side, the margin, the guides are precisely the same than front side. But in order to invent a wrapping effect with the stripes, we'll require to flip them.

First of all, delete (or hide) all the content layers ("face 1," "face2," and "face 3") and leave only the stripes and the ribbon. You may invent three folders named "face 4," "face 5," and "face 6" to add the content in.



Step 29 - Flip the Stripes

Now will flip the stripes. Select the "stripe copy" folder and go to edit > transform > flip horizontal. Do the same with the "stripe" folder. at last, move the ribbon to the left side of the document as shown.



Step 30 - Add More Text

It isn't hard to add content to the back, just repeat what we did in step 26, but this time the rotation angle should have a positive attitude. in this instance, the rotation angle is 15º. I formulated the services list icons by making use of one of photoshop's default habit shapes. Remember: don’t exceed the security margin bounds



Step 31 - Add a custom support image

Extract this picture from its background and paste it into a new layer named "Polaroid" inside the "Face 5" folder. Now paste any picture inside the polaroid dark rectangle (you must play with the marquee selections or adding a Layer Mask). Paste it into a layer on top of the "Polaroid" layer named "Picture." I'm using this picture by the way. Finally, change the "Picture" layer blending mode to Overlay.



Step 32

Merge the "Picture" and "Polaroid" layers into one named "Polaroid," then adjust the Hue/Saturation (Command + U) and set the values shown below.



Step 33 - Picture Shadow
manufacture a new rectangle (100%k) behind the "polaroid" layer and name it "shadow. " hit command + f to re-employ the last gaussian blur filter. Then adjust the layer blending mode to multiply and its opacity to 60%. Next, rotate the "shadow" layer a small amount of degrees to the correct.



Step 34 - Final Touches

Rotate the entire "Face 5" folder a few degrees to the right. And just because we can, Select the Burn Tool and burn some areas of the polaroid picture to make it more grungy.



Step 35 - End of Side II

And that's the outcome for the back side.



Conclusion

And that's it, now you may export the document in your preferent format by clicking on file > save as and select a filetype (photoshop pdf is a smashing choice).

Also, you may throw away the trim guides and export a. Tiff file to indesign or illustrator. There are galore ways to send these files to print service. beside you may purchase a mock-up template from Graphic River or make one from scratch and get a cool preview of your brochure.

Thanks to PSD TUT for sharing this very nice tutorial
Tutorial Source Here : Design a Brochure in Photoshop
Designing by Alvaro Guzman

Labels: Photoshop Tutorial

30 swirl brushes, a high-quality swirl photoshop brushes with an intermediate size 2000px. These brushes were developed with adobe photoshop cs4 and similarly work along with the version cs, cs2 and cs3. This set was designed by thomas béal specialmente for smashing magazine and its readers.



Download the set for free!

You may use the set for all of your projects at no charge also with no any limitations. You may freely use it for together with your private and mercantile projects, as well as software, online services, templates and themes. The set can not be resold, sublicensed, rented, transposed or if not made available for use. Please link to this article whether or not you would like to disseminate the word.

• download the set (.zip, 5.5 Mb)

Thank you very much, Thomas! We appreciate your efforts.

Thanks to smashingmagazine for spreading the the Cool Brushes

Labels: Freebies

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Labels: Search Engine Optimization